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Tarmo Maaronen

I was born in 1963 in the Nuutajärvi glass village, thus it is no surprise that I ended up in the glass trade. The glow of glass ovens attracted - and somewhat frightened - the schoolboy that passed through the factory yard every day on his way to school. When my brother Reima started to work at the factory and began to bring his "lunch hour creations" home, I became even more interested in glass-blowing. In the age of 16, in 1979, I was employed as a delivery boy by the pressed glass shop. Luckily, I managed to become a "courier" at the Unto Suominen glass art workshop a few weeks later. Since the glass seemed to obey my commands better and better every day, I became convinced that it is the job I am best at.

In the age of 18 I was already the senior blower - while the "junior" blower was only…44.Co-operation with professional glass-blowers and top-class artists (incl. Kaj Franck, Oiva Toikka, and Heikki Orvola) provided me with a good overview of the trade in Finland.

My own ideas, however, kept circling in my head and lunch hours were no longer sufficient for their realisation. It was time for me to make the difficult decision - to leave behind the familiar and safe glass factory and to try something else.

I worked at small Finnish studios for 5 years, and this gave me experience necessary for establishment of my own studio.

In 1995, I was employed by the IVV factory near Florence, Italy, as an instructor and production designer. The Italians sought for a teacher from the Nordic countries - a person sufficiently qualified and experienced in Scandinavian glass-working techniques. In the truly Italian style, the person was expected to be "communicable".

I worked for the Italian company for a couple of years and acquired many Italian friends. I somehow felt "like an Italian" myself, even though I looked different. Our co-operation went well - I sometimes still visit the place in order to work there for a while.

In co-operation with painter Mauro Capitani from Toscana, I created the glass items for his exhibition.
Acquaintance with Maestro Italo Ballarini opened the doors to Murano as well. We became good friends and still meet once in every two years. Maestro and his wife visited the Bianco Blu Studio in summer 2000; they have a genuine Fiskars glass bottle at home as a memory of this visit.
In August 1997, I established the Bianco Blu Glass Studio; from that time on, I have worked at Fiskars. Fiskars is a perfect place for me. Artists involved in various forms of art reside there; because of that, the co-operation possibilities are limitless.

Tarmo Maaronen
CV:
Born 1963 in Urjala
Glass artisan 1995
1979 - 1990 Nuutajärvi Glassworks
1990 - 1995 Small studios in Finland
1995 - 1997 IVV Italy
1997 - own Studio Bianco Blu

Joint exhibitions
1996 La Settimana Finlandese (San Giovanni Valdarno)
2000 Finnish Glass Lives (Riihimäki Glass Museum)
2000 Spring Exhibition of Fiskars Co-operative
2001 Finnish Glass Lives (Spain, Germany, and Mexico)
2001 Finnish Glass Lives (Lohja)
2001 Spring Exhibition of Fiskars Co-operative
2001 Puutarha Gallery (Nummela)

As a glass blower, I participated in the projects of following artists:
1997 Tra Kea e Tenedo, Italy (Mauro Capitani)
1997 Ristomatti Ratia exhibition items
1999 Oiva Toikka Opera House
2000 Taru Syrjänen Tampere
1997 Pauli Partanen
2000 Martti Aiha

 

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